Sean Harper Vancouver, British Columbia
Written and recorded between Fall 2021 and late summer of 2022. We transition like the seasons moving between light and dark.
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Two dozen 12-string acoustic improvisations that feel undeniably haunting, like lost transmissions from ancient Appalachia, rediscovered.
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Erudite chamber pop that hearkens back to the elegant and experimental production of the 1960s, swinging from melancholia to playfulness.
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if no one else cares, why should I care?
by Good Good Blood
Pairing lo-fi indie rock with silvery folk instrumentation, the self-described "bedroom pop wizard" casts a cozy, poignant spell.
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Sydney’s Mope City cranks out pitilessly slow-moving sludge rock, all slashing, snarling, and serrated riffing.
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An easy-to-love combination of emo and jangle pop, the first full album from Spirit Night in eight years feels bathed in a golden glow.
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Worldwide Weather
by Joe Woodham
Warm synths, tape loops, kosmiche guitar, and folk melodies meet in a record that explores the relationship of the moon to the tides.
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You've never heard Fugazi covered quite like you will on this EP from LA experimental group Monde UFO.
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